| 101. | Devil 13 // Production Digital Sculpt // 7: Appearances | 6 | Let's Play |
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| 102. | PBR Theory | How PHYSICS relate to this: For Game Designers | Part III | 7 | |
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| 103. | Devil 13 // Production Digital Sculpt // 12: Substance Painter | 7 | Let's Play |
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| 104. | Basics of Maya: Chapter 3 (Video Games' Pipeline) | 7 | |
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| 105. | Weapon: MP 155 Ultima | Modeling | Vol II | 7 | |
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| 106. | NEKO: The Barn Owl | Production Digital Sculpt Vol II | 7 | Let's Play |
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| 107. | A sneak peek on Maps, Materials & Shaders | 7 | |
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| 108. | Photoshop Course - Filters - 8 | 7 | |
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| 109. | UVW Mapping Channels: 3dsMax & Maya | 7 | |
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| 110. | Game Programming Series | Python | Calculator | #10 | 7 | |
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| 111. | NEKO: The Barn Owl | Production Digital Sculpt | 7 | Let's Play |
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| 112. | Photoshop Course - Text Tool - 1 | 7 | |
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| 113. | Weapon: MP 155 Ultima | Texturing | Vol X | 8 | |
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| 114. | Machine Gun | Grip Hold // 3ds Max | 8 | |
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| 115. | Machine Gun | Barrel Rings // 3ds Max | 8 | |
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| 116. | Creating 3D Mecha Concept Robotics Female with Hard Surface Design: 17 | 8 | |
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| 117. | India’s No 1- Game Art, Design and Development School #gamedev #3d #3danimation #career | 8 | |
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| 118. | Demo: Advance SubD script for 3dsMax 2011-23 | 8 | |
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| 119. | Weapon: MP 155 Ultima | Modeling | Vol I | 8 | |
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| 120. | A walk in the woods: Roots | 8 | |
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| 121. | Creating 3D Mecha Concept Robotics Female with Hard Surface Design: 4 | 8 | |
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| 122. | Machine Gun | Grip_Trigger // 3ds Max | 8 | |
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| 123. | How to kill People in PUBG | Mistake #1 | Parachuting | 8 | | PLAYERUNKNOWN'S Battlegrounds
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| 124. | Machine Gun | Chamber_Hydraulic_I // 3ds Max | 8 | |
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| 125. | Behind the scenes of Mech Character Design. #hardsurfacemodeling #3d #gaming #art | 18 | |
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| 126. | QuadRemesher | 3dsMax | 9 | |
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| 127. | AAA Game Development Services- Digital Sculpt Fox Creature | Skeleton to Groom | 9 | |
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| 128. | Autodesk Showreel 4K | Why they ignored Gaming & Production? | 9 | Show |
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| 129. | Devil 13 // Production Digital Sculpt // 2: Facial & Z Guides | 9 | Let's Play |
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| 130. | Basics of 3ds Max: Chapter 1 (Sub-object Selection) | 9 | |
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| 131. | How to 3d sculpt a human nose. #3d #3dmodeling #digitalsculpt | 19 | |
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| 132. | How to create cables using sweep mesh in Maya #3d #3dmodeling | 22 | |
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| 133. | Game Programming Series | Python | Variables | #2 | 9 | |
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| 134. | PBR Theory | How PHYSICS relate to this: For Game Designers | Part IV | 9 | |
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| 135. | Modeling a Hydrant in Maya & 3dsMax: Part I | 10 | Tutorial |
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| 136. | Hydrant Low Poly - I | 10 | |
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| 137. | Machine Gun | Stationary Ring // 3ds Max | 10 | |
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| 138. | Basics of Maya: Chapter 1 (Poly Modeling Shelf) | 10 | |
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| 139. | Unwrapping and Normals Bake: Football | 10 | |
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| 140. | Machine Gun | Coil_1 // 3ds Max | 10 | |
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| 141. | Basics of Maya: Chapter 4 (Supporting Edges Concept) | 10 | |
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| 142. | Modeling a Revolver // Part 2 | 10 | |
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| 143. | NEKO: The Barn Owl | Production Digital Sculpt Vol VIII | 10 | Let's Play |
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| 144. | Tips and Workflow of PBR texturing in Photoshop: #2 | 10 | |
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| 145. | Basics of 3ds Max: Chapter 5 (Hole in a Cylinder) | 10 | |
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| 146. | Curves & Levels // Part II | 10 | |
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| 147. | Metal Roughness | Spec Gloss: PBR Theory - II | 10 | |
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| 148. | Creating 3D Mecha Concept Robotics Female with Hard Surface Design: 3 | 11 | |
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| 149. | Artificial Intelligence & Video Games (HINDI) | 11 | |
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| 150. | Devil 13 // Production Digital Sculpt // 1: Sphere to Facial | 11 | |
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| 151. | Machine Gun | Buttstock // 3ds Max | 11 | |
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| 152. | Tips and Workflow of PBR texturing in Photoshop: #4 | 11 | |
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| 153. | Unreal Engine Car Design and Deploying | Game Development | 17 | |
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| 154. | PBR Theory | How PHYSICS relate to this: For Game Designers | Part II | 11 | |
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| 155. | How to project curves onto Mesh in Maya #3d #3dmodeling #gamedev | 21 | |
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| 156. | Creating 3D Mecha Concept Robotics Female with Hard Surface Design: 15 | 11 | |
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| 157. | How to select edges of any NGon Surface in Maya #3d #3dmodeling | 16 | |
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| 158. | MiG | How to use references for better modeling? //3dsMax | 12 | Tutorial |
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| 159. | Machine Gun | Chamber- P1 // 3ds Max | 12 | |
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| 160. | Machine Gun | Chamber_Hydraulic_II // 3ds Max | 12 | |
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| 161. | Machine Gun | Chamber_Hydraulic_III // 3ds Max | 12 | |
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| 162. | Game Programming Series | Python | How to code a Snake Game? | #11 | 12 | Guide |
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| 163. | How to work with SVG \\ Photoshop, Maya, Zbrush | 12 | Guide |
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| 164. | Metal Roughness | Spec Gloss: PBR Theory - I | 12 | |
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| 165. | Pro Boolean, Quad Remesher & Smooth Boolean | 12 | |
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| 166. | Hard Surface Modeling Technique #4 | 12 | |
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| 167. | Machine Gun | Barrel // 3ds Max | 13 | |
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| 168. | AN/PEQ-15 A DBAL-A2 | 13 | |
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| 169. | UV Unwrapping & Coordinate System: I | 13 | |
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| 170. | Physically Based Shading | Computer Graphics | 13 | |
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| 171. | Creating 3D Mecha Concept Robotics Female with Hard Surface Design: 16 | 13 | |
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| 172. | Curves & Levels // Part I | 13 | |
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| 173. | Normals Map \\ How does it react with light? | 13 | |
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| 174. | 3D Production Model: Barn Owl \\ ZBRUSH + MAYA + YETI | 13 | |
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| 175. | Modeling a Revolver // Part 1 | 13 | |
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| 176. | Creating mask from multiple patterns in Zbrush for intricate shapes. #3d #3dmodeling #digitalsculpt | 66 | |
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| 177. | How to avoid Game Design Institutions to avoid pinch in Mesh. LOL!! | 13 | Guide |
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| 178. | Creating 3D Mecha Concept Robotics Female with Hard Surface Design: 1 | 14 | |
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| 179. | F1 Research: Deployed all mechanics | Part I | 14 | |
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| 180. | Modeling a Revolver // Part 3 | 14 | |
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| 181. | Creating 3D Mecha Concept Robotics Female with Hard Surface Design: 9 | 16 | |
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| 182. | UVW Mapping \\ Tips and Tricks | 14 | |
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| 183. | AAA Games Pipeline tips and tricks- #1 | #3d #art #3dmodeling #animation | 35 | |
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| 184. | Creating 3D Mecha Concept Robotics Female with Hard Surface Design: 7 | 14 | |
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| 185. | Tips and Workflow of PBR texturing in Photoshop: #1 | 14 | |
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| 186. | Sculpt Lips in 1 minute. Tips & Tricks- 2 #3d #art #3dmodeling #digitalart #animation | 26 | |
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| 187. | Indie game developers- Nordic Trolls // Unreal Engine 5- Nanite + Lumen #gamedev | 15 | |
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| 188. | The Top 5 Upcoming Games PS5 | 4K | 15 | | Assassin's Creed: Valhalla
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| 189. | Tips and Workflow of PBR texturing in Photoshop: #3 | 16 | |
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| 190. | Model & Sculpt in Hyperlapse | 16 | Let's Play |
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| 191. | 3D Character Art for Movies and Games | 16 | |
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| 192. | Yamaha MOTOROiD // 3d Concept // Real Time Rendering // 4K | 16 | |
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| 193. | Blender 2.81 | Transform & Selection | #2 | 16 | |
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| 194. | Advanced Viewport Align Script: 3ds Max 2011-2020 | 16 | |
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| 195. | PBR Theory | How PHYSICS relate to this: For Game Designers | Part I | 16 | |
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| 196. | Official PS5 Hardware Revealed Trailer | Sony | 16 | Preview |
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| 197. | How to 3d model a building or house // Intellect and Proportions | 16 | Guide |
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| 198. | Machine Gun | Hand Hold // 3ds Max | 16 | |
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| 199. | 3d weapon photorealistic texturing #3d #3dmodeling #music | 25 | |
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| 200. | Directx 12 | RayTracing on Pascal & (RT CORE + DLSS) | 17 | |
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