An Approach To Composing Melody, Part 3
10In this demonstration, we learn how to compose a melody in SuperCollider using audio files. Here, the focus is on the \rate key and the "midiratio" method. Notice the syntax is similar to what we used for our MIDI instruments in Logic Pro. Please note that in this syntax, we won't have midi \keys, as we are not using MIDI data as our sound source. Essentially, the \rate key will replace the \midinote key.
For material, we use the Scale UGen.
Evaluating "Scale.directory;" have a SC output an extensive list of scales all across the globe.
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You can find my music on my website: https://soundengraver.com/
About This Channel:
Creating experimental electronic music with SuperCollider and Logic Pro. Styles range from ambient to the experimental, from downtempo to the academic. Craftsmanship takes precedence.
New videos are posted every week.
Other Videos By Sound Engraver
| 2019-04-18 | How To Use Basic Synthesis In Audio Files |
| 2019-04-11 | Live Sound Processing: Comb and Delay Effects |
| 2019-04-04 | Comb Filter For Sound Files (CombL) |
| 2019-03-28 | How I Structure A New Work (Part 5) |
| 2019-03-21 | How I Structure A New Work (Part 4) |
| 2019-03-14 | How I Structure A New Work (Part 3) |
| 2019-03-07 | Composing Methods: How I Structure A New Work, Part 2 of 2 (Harmony Extended) |
| 2019-02-28 | How I Structure A New Work (Part 2) |
| 2019-02-21 | How I Structure A New Work (Part 1) |
| 2019-02-14 | How I Begin A New Work |
| 2019-02-07 | An Approach To Composing Melody, Part 3 |
| 2019-01-31 | An Approach To Composing Melody, Part 2 |
| 2019-01-24 | An Approach To Composing Melody, Part 1 |
| 2019-01-17 | Rhythmic Revision In Logic Pro |
| 2019-01-10 | Editing Percussion |
| 2019-01-03 | Channel Update |
| 2018-12-31 | Auld Lang Syne |
| 2018-12-25 | Performance: We Three Kings |
| 2018-12-20 | Rhythmic Study No. 1 |
| 2018-12-13 | How To Use Meter In SuperCollider |
| 2018-12-06 | Panning Sound Files |