How I Structure A New Work (Part 4)
3In this video, I focus on the bass line, recording the MIDI bass instrument in real time, using a Pwrand Pattern in SuperCollider. As with anything in structure, items are subject to change. Editing will continue until the piece is finished.
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About This Channel:
Creating experimental electronic music with SuperCollider and Logic Pro. Styles range from ambient to the experimental, from downtempo to the academic. Craftsmanship takes precedence.
New videos are posted every week.
Other Videos By Sound Engraver
| 2019-05-30 | Sun-Kissed (Album Preview) |
| 2019-05-23 | The Fixed Score Versus The Indeterminate Score |
| 2019-05-16 | The Ducking Effect In Logic Pro |
| 2019-05-09 | How To Use Noise Gate In Logic Pro |
| 2019-05-02 | Running Audio Files |
| 2019-04-25 | Formant, PM, and Pulse Oscillators |
| 2019-04-18 | How To Use Basic Synthesis In Audio Files |
| 2019-04-11 | Live Sound Processing: Comb and Delay Effects |
| 2019-04-04 | Comb Filter For Sound Files (CombL) |
| 2019-03-28 | How I Structure A New Work (Part 5) |
| 2019-03-21 | How I Structure A New Work (Part 4) |
| 2019-03-14 | How I Structure A New Work (Part 3) |
| 2019-03-07 | Composing Methods: How I Structure A New Work, Part 2 of 2 (Harmony Extended) |
| 2019-02-28 | How I Structure A New Work (Part 2) |
| 2019-02-21 | How I Structure A New Work (Part 1) |
| 2019-02-14 | How I Begin A New Work |
| 2019-02-07 | An Approach To Composing Melody, Part 3 |
| 2019-01-31 | An Approach To Composing Melody, Part 2 |
| 2019-01-24 | An Approach To Composing Melody, Part 1 |
| 2019-01-17 | Rhythmic Revision In Logic Pro |
| 2019-01-10 | Editing Percussion |