How I Structure A New Work (Part 3)

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Published on ● Video Link: https://www.youtube.com/watch?v=r-0La73G6CQ



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In this video, I focus on the percussion section. The kick remains at a nice, steady beat while the additional percussion instruments explore syncopation and panning. For these instruments, I record in SuperCollider, as seen at the start of the video.

Note, when I add a multiple of 2 (written as "* 2") in the syntax, it doubles all the values within that key, in this case, the \dur key. This in effect doubles the time in the rhythm, perceptibly slowing the instrument down.

As with anything in structure, items are subject to change. Editing will continue until the piece is finished. In the next video, I will focus on bass, with the percussion section cleaner than seen in this demonstration.


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About This Channel:

Creating experimental electronic music with SuperCollider and Logic Pro. Styles range from ambient to the experimental, from downtempo to the academic. Craftsmanship takes precedence.

New videos are posted every week.







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sound engraver
sound engraver music
how to compose electronic music in supercollider
how to compose electronic music in logic pro x
how to structure a new work
how to structure the percussion section
percussion
supercollider
logic pro x
composing methods: how i structure a new work part 3 (percussion section)
recording in supercollider
editing in logic pro x
rhythm in supercollider
editing rhythm in logic pro x
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exporting in audacity
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