Composing Methods: How I Structure A New Work, Part 2 of 2 (Harmony Extended)
2In this video, I expand on the harmony produced in the last demonstration. As it is with structure, harmony is a process. Although we see a completed harmonic section, the harmony is subject to change. It depends on what I produce in the percussion and bass sections, or if any revision in the overall structure is needed.
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In these videos, you will see the making of experimental electronic music, utilizing techniques in SuperCollider and Logic Pro. Styles range from ambient to the experimental, from downtempo to the academic. Craftsmanship takes precedence.
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Other Videos By Sound Engraver
| 2019-05-16 | The Ducking Effect In Logic Pro |
| 2019-05-09 | How To Use Noise Gate In Logic Pro |
| 2019-05-02 | Running Audio Files |
| 2019-04-25 | Formant, PM, and Pulse Oscillators |
| 2019-04-18 | How To Use Basic Synthesis In Audio Files |
| 2019-04-11 | Live Sound Processing: Comb and Delay Effects |
| 2019-04-04 | Comb Filter For Sound Files (CombL) |
| 2019-03-28 | How I Structure A New Work (Part 5) |
| 2019-03-21 | How I Structure A New Work (Part 4) |
| 2019-03-14 | How I Structure A New Work (Part 3) |
| 2019-03-07 | Composing Methods: How I Structure A New Work, Part 2 of 2 (Harmony Extended) |
| 2019-02-28 | How I Structure A New Work (Part 2) |
| 2019-02-21 | How I Structure A New Work (Part 1) |
| 2019-02-14 | How I Begin A New Work |
| 2019-02-07 | An Approach To Composing Melody, Part 3 |
| 2019-01-31 | An Approach To Composing Melody, Part 2 |
| 2019-01-24 | An Approach To Composing Melody, Part 1 |
| 2019-01-17 | Rhythmic Revision In Logic Pro |
| 2019-01-10 | Editing Percussion |
| 2019-01-03 | Channel Update |
| 2018-12-31 | Auld Lang Syne |